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The Living Years 9. Hungarian Blue Boat On The River 2. It's Raining Again 3. Sailing 4. Bridge Over Troubled Water 5. Schwanensee 7. Die Moldau 8. Fading Like A Flower 2. Wind Of Change 3. Vintage Ballade To Australian Wine 5. So the Vienna Philharmonic, which is now performing at the Salzburg Festival, seemed like an ideal candidate to inaugurate an occasional series exploring how orchestras retain distinctive sounds.
Members of the Philharmonic sat down with reporters and videographers from The New York Times this year to discuss, and demonstrate, how a combination of playing traditions and a preference for atypical instruments rarely heard outside of Austria — they play Viennese horns , for instance, instead of the more commonly used French horns — shape their sound. The horn used in most orchestras is a double horn, tuned in F and B flat, while the Viennese horn is in F only.
Vladar said. When I started with the horn, it was impossible. Despite its difficulty, the Viennese horn remains in favor, Mr. Vladar said, because it produces a loud, brassy sound at a volume that does not overwhelm the orchestra, unlike double horns. You will always be able to hear the other instruments as well. Viennese oboes are also different from those played in the rest of the world. When Clemens Horak, an oboe player with the Philharmonic, sat down and compared his oboe with the one used by Stuart Breczinski , a New York oboist who plays in the Ensemble ACJW , both men agreed that it would be difficult for them to switch instruments and play well.
Horak, who explained that Viennese oboes are shorter than the more common French oboes, have wider inner bores, different fingering systems and shorter reeds. After each man played a little Mozart, Mr. Item location:. Ships to:. This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees.
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