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Resources for learning English. So in the end what we did was a hybrid of new and old approaches. You use the things from the past, and then you modernise them as best as you can. This meant that the entire flow of the album had to be cohesive, and build in a certain way.
So after we finished all the mixes we sequenced the album in a new Pro Tools session using the Lavry mix prints, and created a kind of blueprint of the album, adding effects and skits and bits and pieces to get the songs to flow into each other. We then replaced the Lavry mix prints in this Pro Tools session with digitised versions of the mixes that were mastered off the half-inch tape, and did some more fine-tuning.
We had a lot of help with the entire mastering and sequencing process from our mastering engineer Mike Bozzi, at Bernie Grundman Mastering. So the album is one long piece of work from top to bottom. Listening to the entire album became a whole experience that makes you think about things and the emotions that are there. I mix on just one Auratone, because I like specific elements of the mix to pop out, and listening in mono on that speaker really helps me define that.
When I do my pans I often use the S1 Imager to get things to sound even wider, with things going round in a circular motion, and happening behind your head. We stacked the two EV mics on top of each other, and this gave a warm, almost distorted sound. That was it. All mics went straight into the SSL board, and I had mono compression on everything. Like every engineer, Ali does rough mixes during recording, but he only used plug-ins at this point.
Because his final mixes were done on the board using significant amounts of outboard, the final mix was a very separate stage. In some cases I replaced the Metaflanger and the S1 with the Eventide H, for my pitch-shift and chorus effects. Derek Ali brings to the mix process the same almost obsessive focus that helped him develop from teenage novice to world-class engineer in the span of just a few years.
It sounded great yesterday! I may work on one instrument for hours. I do bounces every two hours of where I am at, just in case I get lost. Buy PDF version. Previous article Next article. Recent topics Volume Levels At Bouncing??? This podcast is for English learners around the world. Go Natural English helps you improve your English listening skills and fluency. The podcast will benefit intermediate to advanced learners most.
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